Sculptress Page 3

  He smiled grimly.

  “I don’t quite understand why, Miss Leigh, but you seem to have decided that we failed Olive in some way.”

  He scribbled a name and address on a piece of paper.

  “I suggest you talk to this man before you come to any more erroneous conclusions.” He flicked the paper in her direction.

  “He’s the barrister we briefed for her defence.

  Graham Deedes. In the event, she out manoeuvred us and he was never called to defend her.”

  “But why? How could she out manoeuvre you?” She frowned.

  “I’m sorry if I sound critical, Mr. Crew, and please believe me, you are wrong in assuming I have reached any unfavourable conclusions.” But was that really true? she wondered.

  “I am simply a perplexed onlooker asking questions. If this Deedes was in a position to raise serious doubts over her quote sanity unquote, then surely he should have insisted that the court hear her defence whether she wanted it or not. Not to put too fine a point on it, if she was bonkers then the system had a duty to recognise the fact, even if she herself thought she was sane. He relented a little.

  “You’re using very emotive language, Miss Leigh there was never a question of pleading insanity, only diminished responsibility but I do take your point. I used the word out manoeuvred advisedly. The simple truth is that a few weeks before the scheduled date of her trial, Olive wrote to the Home Secretary demanding to know whether she had the right to plead guilty or whether, under British law, this right was denied her. She claimed that undue pressure was being brought to bear to force a lengthy trial that would do nothing to help her but only prolong the agony for her father. The trial date was postponed while tests were carried out to discover if she was fit to plead. She was ruled eminently fit and was allowed to plead guilty.”

  “Good Lord!” Roz chewed her lower lip.

  “Good Lord!” she said again.

  “Were they right?”

  “Of course.” He noticed the forgotten cigarette with a curl of ash dripping from its end and, with a gesture of annoyance, stubbed it out.

  “She knew exactly what the consequences would be. They even told her what sort of sentence to expect.

  Nor would prison have come as any surprise to her. She spent four months on remand before the trial. Frankly, even had she agreed to defend herself the result would still have been the same. The evidence for a plea of diminished responsibility was very flimsy. I doubt we could have swung a jury.”

  “And yet in your letter you said that, in spite of everything, you are still convinced she’s a psychopath. Why?”

  He fingered the file on his desk.

  “I saw the photographs of Gwen and Amber’s bodies, taken before their removal from the kitchen. It was a slaughterhouse running with blood, the most horrifying scene I have ever witnessed. Nothing will ever convince me that a psychologically stable personality could wreak such atrocity on anyone, let alone on a mother and sister.”

  He rubbed his eyes.

  “No, despite what the psychiatrists say and you must remember, Miss Leigh, that whether or not psychopathy is a diagnosable disease is under constant debate Olive Martin is a dangerous woman. I advise you to be extremely wary in your dealings with her.”

  Roz switched off her tape-recorder and reached for her briefcase.

  “I suppose there’s no doubt that she did it.”

  He stared at her as if she had said something dirty.

  “None at all,” he snapped.

  “What are you implying?”

  “It just occurs to me that a simple explanation for the discrepancy between the psychiatric evidence of Olive’s normality and the quite abnormal nature of the crime is that she didn’t do it but is covering for whoever did.” She stood up and gave a small shrug in face of his tight-lipped expression.

  “It was just a thought. I agree it makes little sense, but nothing about this case makes much sense. I mean, if she really is a psychopathic murderess she wouldn’t have cared tuppence about putting her father through the mill of a trial. Thank you for your time, Mr.

  Crew. I can see myself out.”

  He held up a hand to hold her back.

  “Have you read her statement, Miss Leigh?”

  “Not yet. Your office promised to send it tome.”

  He sorted through the file and took out some stapled sheets of paper.

  “This is a copy you may keep,” he told her, passing the pages across the desk.

  “I urge you to read it before you go any further. It will persuade you, I think, as it persuaded me, of Olive’s guilt.”

  Roz picked up the papers.

  “You really don’t like her, do you?”

  His eyes hardened.

  “I have no feelings for her, one way or the other. I merely question society’s rationale in keeping her alive. She kills people. Don’t forget that, Miss Leigh. Good day to you.”

  It took Roz an hour and a half to drive back to her flat in London and for most of that time Crew’s words She kills people obscured all other thoughts. She took them out of context and wrote them large across the screen of her mind, dwelling on them with a kind of grim satisfaction.

  It was later, curled up in an armchair, that she realised the journey home was a complete blank. She had no recollection, even, of leaving Southampton, a city she wasn’t familiar with.

  She could have killed someone, crushing them under the wheels of her car, and she wouldn’t have been able to remember when or how it happened. She stared out of her sitting-room window at the dismal grey facades opposite, and she wondered quite seriously about the nature of diminished responsibility.

  STATEMENT MADE BY OLIVE MARTIN 9.9.87 9.30 P.M.

  PRESENT: VS HAWK5LEY, VS WYATT, E.P. CREW (SOLICITOR)

  My name is Olive Martin. I was born on 8th September, 1964.1 live at 22 Leven Road, Dawlington, Southampton.

  I am employed as a clerk in the Department of Health and Social Security in Dawlington High Street. Yesterday was my birthday. I am twenty-three years old. I have always lived at home. My relation ship with my mother and sister has never been close. I get on well with my father. I weigh eighteen and a half stone and my mother and sister have always teased me about it.

  Their nickname for me was FattieHattie, after Hattie Jacques, the actress. I am sensitive to being laughed at for my size.

  Nothing was planned for my birthday and that upset me. My mother said I wasn’t a child any more and that I must organise my own treats. I decided to show her I was capable of doing something on my own. I arranged to have today off work with the idea of taking the train to London and spending the day sight-seeing. I did not organise the treat for yesterday, my birthday, in case she had planned a surprise for the evening which is what she did for my sister’s twenty-first birthday in July. She did not. We all spent the evening quietly watching television. I went to bed feeling very upset. My parents gave me a pale pink jumper for my birthday present. It was very unflattering and I didn’t like it. My sister gave me some new slippers which I did like.

  I woke up feeling nervous about going to London on my own. I asked Amber, my sister, to phone in sick and come with me. She has been working in Glitzy, a fashion boutique in Dawlington, for about a month.

  My mother got very angry about this and stopped her. We had an argument over breakfast and my father left for work in the middle of it. He is fifty-five and works three days a week, as a book-keeper for a private haulage company. For many years he owned his own garage. He sold it in 1985 because he had no son to take it over.

  The argument became very heated after he left, with my mother blaming me for leading Amber astray. She kept calling me Fattie and laughing at me for being too wet to go to London alone. She said I had been a disappointment to her from the day I was born. Her shouting gave me a headache. I was still very upset that she had done nothing for my birthday and I was jealous because she had given Amber a birthday party.

  I went to the
drawer and took out the rolling pin. I hit her with it to make her be quiet, then I hit her again when she started screaming.

  I might have stopped then but Amber started screaming because of what I had done. I had to hit her too. I have never liked noise.

  I made myself a cup of tea and waited. I thought I had knocked them out. They were both lying on the floor. After an hour I wondered if they were dead.

  They were very pale and hadn’t moved. I know that if you hold a mirror to someone’s mouth and there is no mist on it afterwards it means they are dead. I used the mirror from my handbag. I held it to their mouths for a long time but there was no mist. Nothing.

  I became frightened and wondered how to hide the bodies. At first, I thought of putting them in the attic, but they were too heavy to carry upstairs. Then I decided the sea would be the best place as it’s only two miles from our house, but I can’t drive and, anyway, my father had taken the car. It seemed to me that if I could make them smaller I could fit them into suitcases and carry them that way. I have cut chickens into portions many times. I thought it would be easy to do the same thing with Amber and my mother. I used an axe that we kept in the garage and a carving knife from the kitchen drawer.

  It wasn’t at all like cutting up chickens. I was tired by two o’clock and I had only managed to take off the heads and the legs and three of the arms. There was a lot of blood and my hands kept slipping. I knew my father would be home soon and that I could never finish by then as I still had to carry the pieces to the sea. I realised it would be better to ring the police and admit what I had done. I felt much happier once I had made this decision.

  It never occurred to me to leave the house and pretend that someone else had done it. I don’t know why except that my mind was set on hiding the bodies. That’s all I thought about. I did not enjoy cutting them up. I had to undress them so I could see where the joints were. I did not know I’d mixed the pieces up. I rearranged them out of decency, but there was so much blood that I couldn’t tell which body was which. I must have put my mother’s head on Amber’s body by mistake. I acted alone.

  I am sorry for what I have done. I lost my temper and behaved stupidly. I confirm that everything written here is true.

  Signed-OLIVE MARTIN

  The statement was a photocopy, covering three typed sheets of A4. On the reverse of the last sheet was a photocopied extract from what was presumably the pathologist’s report. It was brief, just a concluding paragraph, and there was no indication to show who had written it.

  The injuries to the heads are entirely consistent with a blow or blows from a heavy solid object. These were inflicted before death and were not fatal. While there is no forensic evidence to suggest that the rolling pin was the weapon used, there is none to prove it wasn’t.

  Death in both cases was caused by severance of the carotid artery during the decapitation process. Examination of the axe revealed considerable rusting beneath the blood stains. It is highly probable that it was blunt before it was used to dismember the bodies. The extensive bruising around the cuts on Amber Martin’s neck and trunk indicate three or four strikes with an axe before the cawing knife was used to cut the throat. It is unlikely that she ever regained consciousness In Mrs. Gwen Martin’s case, however, the lacerations to her hands and forearms, inflicted before death, are consistent with her regaining consciousness and trying to defend herself. Two stabbing incisions below the jawline imply two failed attempts before her throat was successfully cut with the knife. These attacks were carried out with savage ferocity.

  Roz read the pages through then put them on the table beside her and stared into the middle distance. She felt very cold.

  Olive Martin took an axe… Oh, God! No wonder Mr. Crew called her a psychopath. Three or four strikes with a blunted axe and Amber was still alive! Bile rose in her throat, nauseous, bitter, gagging. She must stop thinking about it. But she couldn’t, of course. The muffled thuds of metal bouncing off soft flesh boomed loudly in her brain. How dark and shadowy the flat was. She reached out abruptly and snapped on a table lamp but the light did nothing to dispel the vivid pictures that crowded her imagination, nightmare visions of a madwoman, frenzied by blood-lust. And the bodies… How far had she committed herself to writing this book? Had she signed anything? Had she received an advance. She couldn’t remember and a cold fist of panic squeezed her insides. She was living in a twilight world where so little mattered that day followed day with nothing to distinguish their passing. She thrust herself out of her chair and paced about the floor, cursing Iris for bouncing her, cursing herself for her own insanity, and cursing Mr.

  Crew for not sending her the statement when she’d first written to him.

  She seized the telephone and dialled Iris’s number.

  “Have I signed anything on the Olive Martin book? Why? Because I damn well can’t write it, that’s why. The woman scares the bloody shit out of me and I am not visiting her again.”

  “I thought you liked her.” Iris spoke calmly through a mouthful of supper.

  Roz ignored this comment.

  “I’ve got her statement here and the pathologist’s report, or his conclusions at least. I should have read them first. I’m not doing it. I will not glorify what she did by writing a book about it. My God, Iris, they were alive when she cut their heads off. Her poor wretched mother tried to ward off the axe. It’s making me sick just thinking about it.”

  “OK.”

  “OK what?”

  “Don’t write it.”

  Roz’s eyes narrowed suspiciously.

  “I thought you’d argue at least.”

  “Why? One thing I’ve learnt in this business is that you can’t force people to write. Correction. You can if you’re persistent and manipulative enough, but the result is always below par.”

  Roz heard her take a drink.

  “In any case, Jenny Atherton sent me the first ten chapters of her new book this morning. It’s all good stuff on the inherent dangers of a poor self-image, with obesity as number one confidence crippler.

  She’s unearthed a positive gold mine of film and television personalities who’ve all sunk to untold depths since gaining weight and being forced off camera. It’s disgustingly tasteless, of course, like all Jenny’s books, but it’ll sell. I think you should send all your gen sorry about the pun to her. Olive would make rather a dramatic conclusion, don’t you think, particularly if we can get a photograph of her in her cell.”

  “No chance.”

  “No chance of getting a photograph? Shame.”

  “No chance of my sending anything to Jenny Atherton.

  Honestly, Iris,” she stormed, losing her temper, ‘you really are beneath contempt. You should be working for the gutter press. You believe in exploiting anyone just as long as they bring in the cash.

  Jenny Atherton is the last person I’d allow near Olive.”

  “Can’t see why,” said Iris, now chewing heartily on something.

  “I mean if you don’t want to write about her and you’re refusing ever to visit her again because she makes you sick, why cavil at somebody else having a bash?”

  “It’s the principle.”

  “Can’t see it, old thing. Sounds more like dog in the manger to me.

  Listen, I can’t dally. We’ve got people in. At least let me tell Jenny that Olive’s up for grabs. She can start from scratch.

  It’s not as though you’ve got very far, is it?”

  “I’ve changed my mind,” Roz snapped.

  “I will do it. Goodbye.” She slammed the receiver down.

  At the other end of the line, Iris winked at her husband.

  “And you accuse me of not caring,” she murmured.

  “Now, what could have been more caring than that?”

  “Hobnailed boots,” Gerry Fielding suggested acidly.

  Roz read Olive’s statement again.

  “My relationship with my mother and sister was never close.” She reached for her tape recorde
r and rewound the tape, flicking to and fro till she found the piece she wanted.

  “I called her Amber because, at the age of two, I couldn’t get my tongue round the “1” or the “s”. It suited her. She had lovely honey-blonde hair, and as she grew up she always answered to Amber and never to Alison.

  She was very pretty…”

  It meant nothing of course, in itself. There was no unwritten law that said psychopaths were incapable of pretending. Rather the reverse, in fact. But there was a definite softening of the voice when she spoke about her sister, a tenderness which from anyone else Roz would have interpreted as love.

  And why hadn’t she mentioned the fight with her mother?

  Really, that was very odd. It could well have been her justification for what she did that day.

  The chaplain, quite unaware that Olive was behind him, started violently as a large hand fell on his shoulder. It wasn’t the first time she had crept up on him and he wondered again, as he had wondered before, how she managed to do it. Her normal gait was a painful shuffle which set his teeth on edge every time he heard its approach.

  He steeled himself and turned with a friendly smile.

  “Why, Olive, how nice to see you. What brings you to the chapel?”

  The bald eyes were amused.

  “Did I frighten you?”

  “You startled me. I didn’t hear you coming.”

  “Probably because you weren’t listening. You must listen first if you want to hear, Chaplain.

  Surely they taught you that much at theological college. God talks in a whisper at the best of times.”

  It would be easier, he thought sometimes, if he could despise Olive.

  But he had never been able to.

  He feared and disliked her but he did not despise her.

  “What can I do for you?”

  “You had some new diaries delivered this morning. I’d like one.

  “Are you sure, Olive? These are no different from the others. They still have a religious text for every day of the year and last time I gave you one you tore it up.”